From the desk of Pearl C Hsiung

Joseph Mallord William Turner,The Blue Rigi, Sunrise 1842Watercolour on paper, support: 297 x 450 mm
Sep 12, 2014

Joseph Mallord William Turner,The Blue Rigi, Sunrise 1842
Watercolour on paper, support: 297 x 450 mm

Xi Wangmu, “Queen Mother of the West” is first mentioned in oracle bone inscriptions thirty-three centuries ago in the Shang Dynasty (1766-1122 B.C.)
“Crack-making on day IX,9 day; we divined. if we make offering to the eastern mother and the western mother, there will be approval.”
Later, in the “Inner Chapters” of the early Taoist text Zhuang Zi, circa 300 BCE, she is cast as a woman who attained the Tao:
"Xi Wang Mu attained it and took her seat on Shao Guang mountain. No one knows her beginning and no one knows her end.”
Taoists recognized the ancient great goddess as a divine teacher and initiator of mystic seekers, and in many cases as the ultimate origin of their teachings and practices. She governs the Taoist arts of self-transformation known as internal alchemy, including meditation, breath and movement practices, medicines and elixirs.
Xi Wangmu who resembles a human but has tigers’ teeth, a leopard’s tail and wears a sheng (symbol of a loom) headdress atop her wild hair. Although attempts were made to demote, tame or even marry off the shamanistic goddess through the passing dynasties, she ultimately embodies yin, highest goddess, and ruler of female Transcendents, The Queen Mother was seen to have a special relationship with all women, caring for all women Daoists in the universe, both perfected and aspirants.
"In heaven, beneath heaven, in the three worlds, and in the ten directions, all women who ascend to transcendence and attain the way are her dependents."
The Queen Mother was held in especially high regard by Chinese women who did not represent the societal norm of the submissive woman. To these women, The Queen Mother of the West was seen as “a powerful, independent deity representing the ultimate yin controlling immortality and the afterlife.” (Cahill, 1986).
http://www.suppressedhistories.net/goddess/xiwangmu.html
Aug 22, 2014 / 10 notes

Xi Wangmu, “Queen Mother of the West” is first mentioned in oracle bone inscriptions thirty-three centuries ago in the Shang Dynasty (1766-1122 B.C.)

Crack-making on day IX,9 day; we divined. if we make offering to the eastern mother and the western mother, there will be approval.”

Later, in the “Inner Chapters” of the early Taoist text Zhuang Zi, circa 300 BCE, she is cast as a woman who attained the Tao:

"Xi Wang Mu attained it and took her seat on Shao Guang mountain. No one knows her beginning and no one knows her end.”

Taoists recognized the ancient great goddess as a divine teacher and initiator of mystic seekers, and in many cases as the ultimate origin of their teachings and practices. She governs the Taoist arts of self-transformation known as internal alchemy, including meditation, breath and movement practices, medicines and elixirs.

Xi Wangmu who resembles a human but has tigers’ teeth, a leopard’s tail and wears a sheng (symbol of a loom) headdress atop her wild hair. Although attempts were made to demote, tame or even marry off the shamanistic goddess through the passing dynasties, she ultimately embodies yin, highest goddess, and ruler of female Transcendents, The Queen Mother was seen to have a special relationship with all women, caring for all women Daoists in the universe, both perfected and aspirants.

"In heaven, beneath heaven, in the three worlds, and in the ten directions, all women who ascend to transcendence and attain the way are her dependents."

The Queen Mother was held in especially high regard by Chinese women who did not represent the societal norm of the submissive woman. To these women, The Queen Mother of the West was seen as “a powerful, independent deity representing the ultimate yin controlling immortality and the afterlife.” (Cahill, 1986).

http://www.suppressedhistories.net/goddess/xiwangmu.html

#HarshCrop of a still from ‘The Softest Thing’ video showing in The Outlanders @thepitLA until Aug 25. #LastWeek #pearlChsiung #wetmagic
Aug 19, 2014 / 1 note

#HarshCrop of a still from ‘The Softest Thing’ video showing in The Outlanders @thepitLA until Aug 25. #LastWeek #pearlChsiung #wetmagic

Cameron, Black Egg, n.d., Paint on cardboard, 11 x 8 inches.
 Courtesy of the Cameron Parsons Foundation, Santa Monica. 
Aug 10, 2014

Cameron, Black Egg, n.d., Paint on cardboard, 11 x 8 inches.

Courtesy of the Cameron Parsons Foundation, Santa Monica. 

Rising Chinese Opera star Wang Peiyu (王珮瑜) performing on CCTV
Aug 1, 2014

Rising Chinese Opera star Wang Peiyu (王珮瑜) performing on CCTV

Cut from the #Yellowstoner storyboard #dirtpoisoningavoided
Jul 25, 2014

Cut from the #Yellowstoner storyboard #dirtpoisoningavoided

Get you hot steamin’ GEYZERZ TSHIRT! Reprinting commemorative tee from GEYZERZ performance on 3/15/14 at Human Resources. Buy one at fighttothedeath.bigcartel.com #sorryfortheadvertisement
Jul 14, 2014 / 1 note

Get you hot steamin’ GEYZERZ TSHIRT! Reprinting commemorative tee from GEYZERZ performance on 3/15/14 at Human Resources. Buy one at fighttothedeath.bigcartel.com #sorryfortheadvertisement

Spinning Francine, 2013
Jul 8, 2014 / 2 notes

Spinning Francine, 2013

Pearl C. Hsiung, Hissing Corals, 2014, ink and enamel on paper, 24 x 30 in.
Jul 7, 2014

Pearl C. Hsiung, Hissing Corals, 2014, ink and enamel on paper, 24 x 30 in.

Exquisite Corpse by Amy Adler, Pearl C. Hsiung, Amy Russell
You can bid on the drawing at https://paddle8.com/work/amy-adler-pearl-c-hsiung-amy-russell/33329-exquisite-corpse a fundraising auction for SASSAS, The Society for the Activation of Social Space through Art and Sound.
(SASSAS) is a 501(c) non profit that serves as a catalyst for the creation, presentation, and recognition of experimental art and sound practices in the Greater Los Angeles area.
Jun 10, 2014 / 2 notes

Exquisite Corpse by Amy Adler, Pearl C. Hsiung, Amy Russell

You can bid on the drawing at https://paddle8.com/work/amy-adler-pearl-c-hsiung-amy-russell/33329-exquisite-corpse a fundraising auction for SASSAS, The Society for the Activation of Social Space through Art and Sound.

(SASSAS) is a 501(c) non profit that serves as a catalyst for the creation, presentation, and recognition of experimental art and sound practices in the Greater Los Angeles area.